The band continue to riff on late 90s’ progressive experimentation of the Norwegian metal avant-garde (In The Woods, The 3rd and the Mortal, Solefald, Ulver), deftly weaving the left-field oddity of that period through hook-ridden pop music and tripped-out electronica.

An eclectic set containing the strongest and most persuasive songs of their 25-year career,  Slow Motion Death Sequence is truly a record for late nights – when the small hours draw addictive fascination from seemingly outlandish soundworlds.